1/9/2024 0 Comments Bronze patina![]() For this reason, it is necessary to come at this from the phenomenological method, which studies the phenomena as they are presented as well as the way in which they are lived by each person. These two methods propose time-based studies that contradict the immediacy and variability of a phenomenon, such as the poetic image, which occurs in the human psyche in a sudden manner and which can also affect other souls, Other hearts, in spite of all the barriers that reason can impose. In turn, the aesthetic, symbolic, historical and iconographic properties of metals have been studied with various hermeneutical methods, which are based upon all knowledge being the result of interpretation. However, it could be said that in the current paradigm of knowledge, the physicochemical, metallurgical and mechanical phenomena of metals are studied with the scientific method, which is based upon experimentation, measurement and on the repeatability and refutation of its results. ![]() There have been various methods developed over the course of history to understand the material and the phenomena associated with it. The science of materials, because it is right there, in the very nature of the material where all the aesthetic, historical and cultural values associated with this metal are born art, because they are mainly artistic objects as opposed to everyday objects, those that gather the culture-understood as all human activity-from each era, and transfer that information to new generations and philosophy, because it takes a reflexive thought, which allows the approach to the metal from a different perspective that interlaces the human and the scientific with its own material nature. The results show a non-protective patina that, added to the other factors of deterioration of the work, contribute to the drama of the scene that is represented, taking it from pain and impotence before the death of a loved one, to a state of hopelessness and apathy embodied in a bronze that deteriorates over time with environmental factors and neglect in the protection and conservation of the work.įormulating an analysis of the poetic image of bronze requires a blend of the science of materials, art and philosophy. To exemplify this, we analyze the patina of the sculpture La Piedad by Bernardo Vieco using SEM–EDX and XRD. Of these properties, the formation of the patina is the one that contributes most to the construction of its poetic image, since it is the one that, along with the form, suddenly appears before the spectators, directly affecting their perception of the work. Bronze has been positioned as the medium par excellence for sculptural production bearing the aesthetic, symbolic and poetic values that have propitiated the construction of a metallurgical archetype, which has its genesis in its physicochemical, metallurgical and mechanical properties.
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